• home
  • Paintings
    • Miracles
    • Jubilee Hotel 2024
    • The Stranger 2023
    • WinterFlower 2021
    • Hibernia 2021
    • Hunting the Wodewose 2019 - 20
    • Into the Meadow of Certainty 2018 - 19
    • A Cold Wind From the Mountains 2017
    • California Dreamin' 2015
    • The Gift of Shit 2014
    • Absent Friends 2013 - 14
    • Bones in the River 2012 - 13
    • Hungry Ghosts 2012
    • The Ladies of Shalott 2010
    • Im Wartezimmer 2009 - 10
    • Austrian Men 2008 - 10
    • Queens 2007 - 9
    • My Grandmother's House 2006 - 7
  • Works on paper
    • Hibernia works on paper 2021
    • Limerence 2019
    • Poolside Barbecue 2017 - 18
    • The Ragged Girl 2017 - 18
    • A Cold Wind from the Mountains 2012 - 16
    • Family 2012
    • Watercolours Queens 2008 - 10
    • Collages 2009
  • Texts
    • Considering Art - interview with Bob Chaundy July 2021
    • Artist's statement 2015
    • From 'Picturing People'
    • A Coruscating Eye
    • Hibernia
    • The Ladies of Shalott
    • Im Wartezimmer
    • A Cold Wind From The Mountains
  • CV
  • Contact

Eleanor Moreton

  • home
  • Paintings
    • Miracles
    • Jubilee Hotel 2024
    • The Stranger 2023
    • WinterFlower 2021
    • Hibernia 2021
    • Hunting the Wodewose 2019 - 20
    • Into the Meadow of Certainty 2018 - 19
    • A Cold Wind From the Mountains 2017
    • California Dreamin' 2015
    • The Gift of Shit 2014
    • Absent Friends 2013 - 14
    • Bones in the River 2012 - 13
    • Hungry Ghosts 2012
    • The Ladies of Shalott 2010
    • Im Wartezimmer 2009 - 10
    • Austrian Men 2008 - 10
    • Queens 2007 - 9
    • My Grandmother's House 2006 - 7
  • Works on paper
    • Hibernia works on paper 2021
    • Limerence 2019
    • Poolside Barbecue 2017 - 18
    • The Ragged Girl 2017 - 18
    • A Cold Wind from the Mountains 2012 - 16
    • Family 2012
    • Watercolours Queens 2008 - 10
    • Collages 2009
  • Texts
    • Considering Art - interview with Bob Chaundy July 2021
    • Artist's statement 2015
    • From 'Picturing People'
    • A Coruscating Eye
    • Hibernia
    • The Ladies of Shalott
    • Im Wartezimmer
    • A Cold Wind From The Mountains
  • CV
  • Contact
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Elizabeth Jane (Absent Friends).jpg
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Absent Friends

…More recently I had been collecting photographs of people (not just women) whom I admired. They were often writers or musicians whose work has meant a lot to me. They were all people for whom a public image was secondary, undesirable or troublesome. In fact I came to think that these women were often considered ‘difficult’ and so they may have been. They would not have had the support networks to ease the sharp edges that came with their creativity. Bette Davis said that if a man speaks his mind he’s a strong character; if a woman does, she’s a bitch.

The women include writers Rebecca West (author of Black Lamb, Grey Falcon, The Thinking Reed, The Fountain Overflows), Patricia Highsmith (author of the five Ripley books, Ediths Diary, The Cry of the Owl), Elizabeth Jane Howard, and musicians Nina Simone, Karen Dalton, Aretha Franklin and Gillian Welch.

EM 2014

 

 

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